Says the Doll's House director: "[Ibsen] is interested in people being true to themselves, trying to find the most honest version of themselves." There's a blind self-centeredness about all of Ibsen's heroic characters, and it's the great virtue of Carrie Cracknell's Young Vic production, and Hattie Morahan's mesmerising performance, that Nora seems a rather skittish, selfish and dangerously impulsive creature, even as the scales drop from her eyes with regard to her husband's behaviour. Theatre Evaluation- A Dolls house On the 21st of July I saw a performance of ‘A Doll’s house’ written by Herrick Ibsen in the Young Vic theatre in London, directed by Carrie Cracknell. In this video interview David Lan, Artistic Director, explains why the Genesis Directors Programme is so important to the Young Vic. Yes, I … Her work is best known for its detailed psychological work with actors, placed in highly visual imagined worlds with cinematic scores. Carrie Cracknell production of a doll’s house. She was Associate Director at both the Young Vic (2012–2013) and the Royal Court (2013–2014). But as the plot thickens, the spiralling movement takes on the power of metaphor as everything the household represents seems to be tightening noose-like around Nora’s swanlike neck. A Doll's House (1973) cast and crew credits, including actors, actresses, directors, writers and more. This is when Carrie Cracknell ’s production at the Young Vic is at its most compelling. She was Artistic Director of the Gate Theatre, London from 2007–2012. Bright-eyed and high spirited, she starts out as coquettish, the little bird of her husband’s fantasy. Voice and tone. Young Vic artistic director David Lan talks with director Carrie Cracknell about A Doll’s House. But it’s Morahan’s extraordinary performance that holds the show together. A Doll’s House Short Film (2012) Information. Acclaimed theatre director and long-time Ibsen fan Carrie Cracknell talks about taking on the playwright’s masterpiece A Doll’s House. A Doll's House is nominated for three Evening Standard Awards. Cracknell provides an invaluable insight into the processes of rehearsing a play, conveys the thrill of sharing her work in front of an audience, and considers how extensive research allowed her to gain further context and inspiration for the production. A Doll's House: Theater review. The physical relationship between Morahan and Rowan is particularly convincing and this elegantly costumed, confident Nora is ringingly safe in her naivety, convinced that her sexual power will be able to control her husband. Posted on October 4, 2013 by sellorj. Read Next: Tony Nominee Jeremy O. 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A Doll's House is nominated for three Evening Standard Awards. I AM FALLING. As her doll’s house turns and turns, faster and faster, Nora’s world spins apart to the breaking point. Differences: Nora. CARRIE CRACKNELL DIRECTOR. There's a blind self-centeredness about all of Ibsen's heroic characters, and it's the great virtue of Carrie Cracknell's Young Vic production, and Hattie Morahan's mesmerising performance, that Nora seems a rather skittish, selfish and dangerously impulsive creature, even as the scales drop from her eyes with regard to her husband's behaviour. At the time, Cracknell had just worked with another acclaimed playwright from across the pond, Nick Payne, on Blurred Lines, a new work examining gender politics and inequality. In Henrik Ibsen’s A Doll’s House, Nora Helmer, having fraudulently borrowed money to save her husband, is forced to reveal her secret and, in doing so, reassess her life as it stands. Rowan (and the translation) lean slightly too far toward the predictable stuffed-shirt approach to the role of Torvald. Home. has a job. Carrie Cracknell’s direction, fluidly staged on Ian MacNeil’s rotating (yet simple) apartment set, manages to achieve an almost filmic quality at moments, as when the stage turns to reveal successive domestic portraits of Nora’s life, yet it feels utterly rooted in the text of the play rather than grasping at some wild new interpretation. The play is significant for the way it deals with the fate of a married … With Hattie Morahan, Dominic Rowan, Steve Toussaint. This story has been shared 349,472 times. She was Artistic Director of the Gate Theatre, London from 2007–2012. The key to the excitement she generates is that the more terrified she grows, the faster she reacts. In Henrik Ibsen's Staging. This production, directed by Carrie Cracknell, was captured by Digital Theatre live at London’s Young Vic theatre. David Lan: Why does A Doll’s House resonate now? Through March 16. Carrie Cracknell: 'The new entrapment is about women trying to fulfil an infinite number of roles.' More. A Doll's House features Hattie Morahan (star of the BBC's Sense and Sensibility and Outnumbered) and Dominic Rowan (seen on Law & Order: UK and the Royal Court Theatre's The Village Bike). Says the Doll's House director: "[Ibsen] is interested in people being true to themselves, trying to find the most honest version of themselves." A sexy revival of A Doll's House. Yes, I … Photograph: Sophia Evans for the Observer ... And now her production of A Doll's House … But ultimately, his underlining of Torvald’s inability to see the world from anything but a dominating male perspective pays dividends. Play highlights a woman ’ s House if a character is hiding something they! Wife and mother, Nora, on a revolving set, designed by Ian MacNeil are displayed soon! Keeps the stakes forever high but no one ’ s Young Vic.... 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