Title: Study for the Figure of the Iliad in "The Apotheosis of Homer" Artist: Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) Date: ca. Apollo, the god of music and poetry, also appears, along with a female figure tentatively identified as Mnemosyne, the mother of the Muses. It shows Ptolemy IV and his wife and sister Arsinoe III standing beside a seated poet, flanked by figures from the Odyssey and Iliad, with the nine Muses standing above them and a procession of worshippers approaching an altar, believed to represent the Alexandrine Homereion. A brief examination of Ingres' The Apotheosis of HomerTwitter: https://twitter.com/ARTHIST_101 Ingres, The Apotheosis of Homer, 1827, oil on canvas, 3.86 x 5.12 meters (Louvre, Paris) A student of the past Jean-Auguste-Dominique Ingres (pronounced: aah-n Gr-ah) was Jacque-Louis David’s most famous student. $14.00. Painting colonial culture: Ingres's La Grand Odalisque. 260 g 1827. The Universe crowns him, Herodotus burns incense. …history painting to date, The Apotheosis of Homer. A state commission to decorate a ceiling of the musée Charles X at the Louvre (now the ancient Egyptian galleries), it formed part of a renovation project commissioned by Charles X to have himself remembered in the grand tradition of Bourbon building works at the Louvre. This canvas was originally a ceiling decoration in the Salle Clarac in the Louvre. Homer was the subject of a number of formal hero cults in classical antiquity. Ingres, Apotheosis of Homer. The figures are:[5], Ingres revisited the subject in several later works, including an undated watercolour (Lille, Musée des Beaux-Arts) and paintings such as Homer and His Guide (1861; Brussels, Royal Collection) and The Odyssey (Lyon, Musée des Beaux-Arts). Apoteosi di Omero personaggi.jpg 960 × 734; 143 KB 1827. Marble relief depicting the Apotheosis (elevation to divine status) of the poet Homer with Zeus, Apollo and the Muses, signed by the sculptor Archelaus of Priene, ca. Flaxman also designed profile portraits in antique style for execution as jasperware medallions. Homer, the Greek epic poet who lived during the 8th century BC, is being crowned as an immortal. Jean Auguste Dominique Ingres, Apotheosis of Homer, 1827, oil on canvas, 386 × 515 cm (152 × 202.8 in), Louvre Museum, Paris Set on a pedestal at the center of the Apotheosis of Homer, the archaic Greek poet is conceived of as the wellspring from which the later Western artistic tradition flows. [6] This drawing, in which Ingres announced his intention to "amplify and complete" his conception, was not completed until 1865,[6] as the artist deliberated at length in choosing the appropriate historical personages to be included. This type of hero cult was also conducted in the name of some artists and writers, Homer being one of them. The composition is a symmetrical grouping centred in a classical way in front of an ancient Greek temple. The scene on the Wedgwood vase shows the Apotheosis ceremony taking place. The subject matter of the Apotheosis of Homer vase was a copy of an ancient vase, which had been sold to the British Museum by Sir William Hamilton. Neo-classicism in the 18th century; Interior Decoration; John Flaxman Jr (1755-1826) The bas relief, originally modelled in 1778 by John Flaxman Jr, is sometimes referred to as The Crowning of a Citharist. The Apotheosis of Homer was certainly one of Jean-Auguste-Dominique Ingres' most complex paintings, featuring his standard use of historical content and exquisite portraiture. The symmetrical composition depicts Homer being crowned by a winged figure personifying Victory or the Universe. In 1854 be began work on a drawing of the composition to be used as a model for the engraver Calamatta. From the 19th and 20th centuries, treatments of the subject by Wedgewood (based on a 5th century BC vase misidentified in the 18th centurxy as showing this scene), Ingres and Salvador Dalí survive. [5], Painting by Jean-Auguste-Dominique Ingres, Behind Homer, to the left, with his head covered to make a sacrifice, as was customary in classical religious practice, as with the, Cataloge entry for this work at the Louvre, Oil study of Homer's feet for the painting, The Ambassadors of Agamemnon in the tent of Achilles, Don Pedro of Toledo Kissing Henry IV's Sword, Henry IV Receiving the Spanish Ambassador, Joan of Arc at the Coronation of Charles VII, Portrait of Caroline Murat, Queen of Naples, Portrait of Madame Marcotte de Sainte-Marie, Land grant to Marduk-apla-iddina I by Meli-Shipak II, Statue of the Tiber river with Romulus and Remus, Vulcan Presenting Venus with Arms for Aeneas, The Attributes of Civilian and Military Music, The Attributes of Music, the Arts and the Sciences, The Lictors Bring to Brutus the Bodies of His Sons, Coresus Sacrificing Himself to Save Callirhoe, Bonaparte Visiting the Plague Victims of Jaffa, Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil, Madonna and Child with Saint Peter and Saint Sebastian, Venus and the Three Graces Presenting Gifts to a Young Woman, A Young Man Being Introduced to the Seven Liberal Arts, Portrait of Alof de Wignacourt and his Page, The Doge on the Bucintoro near the Riva di Sant'Elena, Holy Family with the Family of St John the Baptist, Saints Bernardino of Siena and Louis of Toulouse, Madonna and Child with St John the Baptist and St Catherine of Alexandria, Madonna and Child with St Rose and St Catherine, Portrait of Sigismondo Pandolfo Malatesta, Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola, Crucifixion with the Virgin Mary, St John and St Mary Magdalene, The Archangel Raphael Leaving Tobias' Family, Pendant portraits of Marten Soolmans and Oopjen Coppit, Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce, The Virgin and Child Surrounded by the Holy Innocents, Francis I, Charles V and the Duchess of Étampes, Street Scene near the El Ghouri Mosque in Cairo, Christopher Columbus Before the Council of Salamanca, https://en.wikipedia.org/w/index.php?title=The_Apotheosis_of_Homer_(Ingres)&oldid=1014249833, Paintings of the Louvre by French artists, Paintings by Jean-Auguste-Dominique Ingres, Cultural depictions of Alexander the Great, Cultural depictions of Wolfgang Amadeus Mozart, Cultural depictions of William Shakespeare, Short description is different from Wikidata, Wikipedia articles with Joconde identifiers, Creative Commons Attribution-ShareAlike License. The earliest notable portrayal of the scene is a 3rd-century BC marble relief by Archelaus of Priene, now in the British Museum. However, this artist was also influenced at a young age by Greek History and art. (31.4 x 27 cm) Classification: Drawings. [1] It was found in Italy, probably in 1658,[2] but is thought to have been sculpted in Egypt. The final painting's colours are very fresh and clear, giving the impression of fresco. The relief demonstrates vividly that the Greeks considered Homer not merely a great poet but the divinely-inspired reservoir of all literature.[3]. He ultimately added dozens of new figures, including Ictinus, Giulio Romano, John Flaxman, Jacques-Louis David, Pliny the Elder, Plutarch, Cosimo de Medici, Louis XIV, and Pope Leo X. The most famous artists in history are depicted here: Dante and Molière and painters such as Poussin, but Homer reigns above them all. 1827. This page was last edited on 26 March 2021, at 00:44. 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