The Stage and Television Today, 1975. Alan's Room , 1974. Monday 12 May 1997 23:02. comments. He had his first solo show of prints in 1974 and the screenprints he made in the 1970s reveal his interest in cluttered domestic interiors and a sense of narrative. Tuesday - Friday 11am - 7pmSaturday 12pm - 7pm. Prints from Irish artist Tim Mara will go on display at Wolverhampton Art Gallery next month. TIM MARA (1948-1997), GLOVE, lithograph and screenprint in colours, 1995, on wove paper, along with 12 other prints by a selection of British printmakers, all … Our print studio specialises in silkscreen and woodblocking techniques. Following. Get our newsletter including exhibitions, news and events, We will process the personal data you have supplied in accordance with our. As an artist Tim Mara was unusual in that he worked almost exclusively in the medium of print. However, Tim Mara was much more involved with the team than his mother or his sister were. lithograph printed in colours, 1980, signed, dated and titled in pencil, numbered 4/40, on wove paper, with full margins, sheet 1060 x 770 mm (41 3/4 x 30 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Please be advised that you are required to sanitise your hands upon arrival, wear a face covering for the duration of your visit and keep a 2m distance from others. two screenprints, 1982, each signed, titled and dated in pencil, numbered 3/25 and 15/25 respectively, each on wove paper, the full sheets printed to the edges, sheet 910 x 635 mm (35 7/8 x 25 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Description: TIM MARA (1948-1997), PLASTIC FUNNEL, PESTLE AND MORTAR, screenprint in colours, 1992, signed and dated, inscribed with title and numbered 50/50 in pencil, pub. Works for sale (6) Auction results. (13) Sheet 27cm by 27cm... Log in or Create account to view price data. Contemporary Art London New York Tim Mara Prints from the 1970s Large Page 7 Tim Mara. Thank you for your understanding. Jun 29, 2017 - Despite his focus on ordinary scenes and everyday objects, Irish artist Tim Mara (1948-1997) always rejected the qualification of Pop artist and rather identified himself rather in the lineage of Piero della Francesca, Velasquez and Vermeer, with a particular interested towards still life. Ethnographic & Indigenous Artifacts (2240), Greek, Roman & Egyptian Antiquities (924), Historical, Political & Space Collectibles (827), Natural History Collectibles, Fossils & Minerals (3959), Sporting, Fishing & Hunting Collectibles (1795), Indian & South Asian Art & Antiques (418). Irish, 1948 - 1997 Born in Dublin Mara’s family relocated to London when he was five years old. The exhibition ‘Tim Mara- A Slightly Obsessional Printmaker’ ran at the Glasgow Print Studio Gallery from 31st May until 28th June 1997. In 1978 he was commissioned to write the Thames and Hudson Manual of Screen Printing. He adopted features of the Dutch Masters, such as light, clarity and stillness, while exploring other themes such as repeating patterns, reflection, refraction and shadow. From Roseberys, Tim Mara, Untitled (Animals) (1977), Suite of six screenprints, Tim Mara was an Irish printmaker, and his work has been likened to the pop-art movements of the 1970s, although the artist saw his work more in terms of "old masters in modern dress," more similar to Velásquez and Vermeer, by whom he was influenced. Tim Mara (1948-1997) Self Portrait in overcoat Screenprint Signed and numbered lower right 89cm x 61cm, Tim Mara (1948-1997) Expanded Metaldetails Etching, 53.5 x 74cm Signed, inscribed with title, numbered 1/25 and dated 1977, Tim Mara (1948-1997) plastic, funnel, mortar and pestle; and wire glass and carrier bag two silkscreens printed in colours, onw with lithograph, 1992-96, each signed and dated in pencil, the first also titled, both on wove paper, the full sheets printed to the edges, in good condition, each sheet 560 x 460mm. Mara was particularly interested in photographic screen printing, a handcrafted, labour-intensive process that took up to three months to produce one print. Tim Mara. Tim Mara (1948-1997) Portrait of a Woman with Striped Dress; Self Portrait; Plastic Mac Tim Mara (1948-1997) Portrait of a Woman with Striped Dress; Self Portrait; Plastic Mac three lithographs, one printed in colours, 1980-81, each signed, titled and dated in pencil, numbered variously, on wove paper, various sizes, Tim Mara (1948-1997) Cognotive Assonance; Hand Grip Tim Mara (1948-1997) Cognotive Assonance; Hand Grip two etchings printed in colours, 1978-79, singed, titled and dated in pencil, one inscribed A/P, an artist's proof, on wove paper, with full margins, various sizes, Tim Mara (1948-1997) Blue Splash; Criss Cross; Red Cellophone Tim Mara (1948-1997) Blue Splash; Criss Cross; Red Cellophone three silkscreens printed in colours, 1980, each signed, titled, dated in pencil, numbered 22/50, on wove paper, with full margins, each 460 x 485 mm (18 1/8 x19 1/8 in). Mara + Mara The Eagle Gallery, in association with Sarah Brundle at One Offs, is proud to present Mara + Mara, an exhibition of rare prints from the Tim Mara archive and ceramics by Alice Mara, which have been made in response to her father’s work. Your password has not been updated in a while. TIM MARA (1948-1997), GLOVE, lithograph and screenprint in colours, 1995, on wove paper, along with 12 other prints by a selection of British printmakers, all framed. Also, we are proud to represent and exhibit, through Printer's Proof Ltd, the letterpress prints of Alan Kitching and the complete Tim Mara Estate. Oct 15, 2018 - Despite his focus on ordinary scenes and everyday objects, Irish artist Tim Mara (1948-1997) always rejected the qualification of Pop artist and rather identified himself rather in the lineage of Piero della Francesca, Velasquez and Vermeer, with a particular interested towards still life. He was Professor of Printmaking at the Royal College from 1991 until his death. May 5, 2020 - Despite his focus on ordinary scenes and everyday objects, Irish artist Tim Mara (1948-1997) always rejected the qualification of Pop artist and rather identified himself rather in the lineage of Piero della Francesca, Velasquez and Vermeer, with a particular interested towards still life. Description: TIM MARA (1948-1997) 'Scoop! Timothy James Mara was the founding owner of the New York Giants of the National Football League. This purchase may be subject to local rates of import, sales and use taxes for which the purchaser is 100% liable. Emma Hill Fine Art Eagle Gallery 159 Farrington Road London 13 May – 11 June 2010 You can unsubscribe or change your preferences at any time by clicking the link in any emails. Dec 4, 2017 - Despite his focus on ordinary scenes and everyday objects, Irish artist Tim Mara (1948-1997) always rejected the qualification of Pop artist and rather identified himself rather in the lineage of Piero della Francesca, Velasquez and Vermeer, with a particular interested towards still life. Collograph Print 200 x 270 mm. In order to respond to your enquiry, we will process the personal data you have supplied in accordance with our privacy policy. Overview. Image 73cm by 55cm. May 5, 2020 - Despite his focus on ordinary scenes and everyday objects, Irish artist Tim Mara (1948-1997) always rejected the qualification of Pop artist and rather identified himself rather in the lineage of Piero della Francesca, Velasquez and Vermeer, with a particular interested towards still life. We encourage you to make a booking before visiting, or for a private viewing outside of our regular hours. Tim Mara: 6 exhibitions from Mar 1996 - Apr 2015, exhibition venues worldwide of artist Tim Mara, Exhibition History, Summary of artist-info.com records, Solo/Group Exhibitions, Visualization, Biography, Artist-Portfolio, Artwork Offers, Artwork Requests, Exhibition Announcements Create a list of works then send us an enquiry. Mara looked at familiar objects in familiar ways, without iconising them; many everyday objects are printed and juxtaposed in his prints, driving this point home, but also exploring other topical issues, such as the miner's strikes, morphic resonance, symbolism and identity. To improve the security of your account, please update your password now. © 1986-2021 Invaluable, LLC. ~~Tim Mara~~ [printed images that I want to explore further - all periods, methods and genres - not yet categorised, sorted, or fully labelled]. Article bookmarked. ', signed limited edition screenprint, 5/20, dated Summer 1972, 51.5 x 46cms. Printmaking is an extra ordinary broad and flexible medium which is constantly reviewing itself - endlessly inventive". We have a maximum limit to the number of people allowed within our gallery at any one time and therefore we may need to ask you to wait outside or to return at another time. Tim Mara was born in Dublin and studied art at Epsom, Wolverhampton and the Royal College of Art. Veins Collograph Print 190 x 250 mm. Emily's Picnic, 1973. See more ideas about printmaking, art, prints. Advanced Graphics London is a fine art printer, publisher and dealer. Tim Mara standing beside his print ‘Two Bar Electric Fire II’ in the Glasgow Print Studio Gallery. TIM MARA (1948-1997) 'Scoop! Notable Works. Screen Printing Prints Art European Art Pop Artist Artist Tim Mara Painting Everyday Objects Tim Mara’s Prints Narrative Despite his focus on ordinary scenes and everyday objects, Irish artist Tim Mara (1948-1997) always rejected the qualification of Pop artist and rather identified himself rather in the lineage of Piero della Francesca, Velasquez and Vermeer, with a particular interested towards still life. Mara studied at Wolverhampton Polytechnic and the Royal College of Art, London in the 1970s and later became Head of Printmaking at the RCA in 1990. MARA LOPF NOW Prize for Printmaking in the RA Schools £1,000 The Mara LOPF NOW Prize, sponsored by the Tim and Belinda Mara Trust, gives one RA Schools student £1,000 for a print in any medium. All Rights Reserved. Estimate: £150 - £200 Description: Tim Mara, Irish 1948-1997- Wire Glass and Carrier Bag, 1996; lithograph and screenprint on wove, signed and numbered 30/100 in pencil, sheet 56 x 76.3cm (framed) Note: the same print is in Ireland's National Cultural Institution for Contemporary Art, accession number IMMA.1287 Please refer to department for condition report Tim Mara – Two Bar Electric Fire 1995/1996 Advanced Graphics London, on wove paper, framed. Lorne Leaves Collograph Print 280 x 200 mm. Description: Tim Mara (1948-1997) plastic, funnel, mortar and pestle; and wire glass and carrier bag two silkscreens printed in colours, onw with lithograph, 1992-96, each signed and dated in pencil, the first also titled, both on wove paper, the full sheets printed to the edges, in good condition, each sheet 560 x 460mm. and participating auction houses. Browse upcoming auctions and create alerts for artworks you are interested in. Contact for price. Our publishing department sells original limited edition prints, paintings, drawings and monoprints Tim Mara (1948-1997) Clothed Figures Limited edition polychrome screenprint, inscribed Four by Tired Wall 14/15 Tim Mara 1983 in pencil lower right 885 x 1190mm (34 1/4 x 46 1/4in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. Description: Tim Mara (1948-1997) - Communication interior - lithograph, signed and dated '75, image 76 x 98 cm, together with a woodblock print by Tadek Beutlich (2).... Auction House: Bearnes Hampton & Littlewood. Mara's prints are included in collections at the Tate London, Victoria and Albert Museum, Irish Museum of Modern Art as well as many other galleries and private collections worldwide. He was particularly noted for his use of screenprinting, etching and lithography and was awarded with numerous prizes. See Saw Collograph Print 270 x 200 mm. Artist page for Tim Mara (1948–1997) Tim Mara The Stage and Television Today Advanced Graphics London, on wove paper, framed. A total of 26 framed prints and a sketch book will be showcased from the artist, who studied at … View artworks for sale by Mara, Tim Tim Mara (19, Irish). Follow. Your email address or password is incorrect. Timothy J. Tim Mara (1948-1997) - Communication interior - lithograph, signed and dated '75, image 76 x 98 cm, together with a woodblock print by Tadek Beutlich (2). He was a generous and gifted teacher; 1980 - 1990 Principal Lecturer in Printmaking, Chelsea School of Art and 1990 - 1997 Professor of Printmaking at the Royal College of Art. "Tim" Mara (August 6, 1935 – June 1, 1995) was an American businessman and part owner of the New York Giants football team. His prints are heavily populated with details, colour and patterns; they are crammed with visual clues that seem to lead to possible narratives and plots. Tim Mara was an Irish printmaker, and his work has been likened to the pop-art movements of the 1970s, although the artist saw his work more in terms of "old masters in modern dress," more similar to Velásquez and Vermeer, by whom he was influenced. Bio 1948–1997. Filter by auction house, media and more. Advanced Graphics London comprises of a studio, specialising in screenprinting and woodblocking techniques, and a publishing department selling original limited edition prints, paintings, drawings and monoprints. View all works. Followers 49. In the early 1990s at the Royal College of Art Mara began to develop a use of colour separation photolithography and produced several prints between 1993 and 1997 which were either purely lithographic based or combined lithography with silkscreen printing. Sep 27, 2015 - All visitors are welcome to access prints, drawings and watercolours that are not on display elsewhere, at the Prints and Drawings Rooms at Tate Britain.The Holdings are arranged into the following five collections ranging from Turner to modern and contemporary international artists. Tim Mara Tim Mara (1948-1997) worked as an artist and as a teacher for 25 years teaching at NCAD Dublin, later becoming Head of Printmaking at the Royal Collage of Art, London. Despite his focus on ordinary scenes and everyday objects, Irish artist Tim Mara (1948-1997) always rejected the qualification of Pop artist and rather identified himself rather in the lineage of Piero della Francesca, Velasquez and Vermeer, with a particular interested towards still life. (2). Description: TIM MARA (1948-1997), GLOVE, lithograph and screenprint in colours, 1995, on wove paper, along with 12 other prints by a selection of British printmakers, all framed. Skip to end of content. He, along with his mother Helen and sister Maura Concannon, owned a 50% stake in the team from 1965 until 1991. Contact for price. (13) Sheet 27cm by 27cm, Tim Mara, Irish 1948-1997- Untitled (Animals), 1977; suite of six screenprints, each signed, dated and numbered 8/50 in pencil, from Imagery and Menagery, each sheet 15.2 x 15.2cm (folio) (6) (ARR), Tim Mara, Irish 1948-1997- Modern Times Revisited, The Launderette, and Four Door Salon, 1976; three photo etchings on wove, each signed, titled, dated and numbered respectively in pencil, largest sheet 75.8 x 55.8cm (unframed) (3) (ARR), Tim Mara, Irish 1948-1997- Wire Glass and Carrier Bag, 1996; lithograph and screenprint on wove, signed and numbered 30/100 in pencil, sheet 56 x 76.3cm (framed) Note: the same print is in Ireland's National Cultural Institution for Contemporary Art, accession number IMMA.1287, TIM MARA (1948-1997), PLASTIC FUNNEL, PESTLE AND MORTAR, screenprint in colours, 1992, signed and dated, inscribed with title and numbered 50/50 in pencil, pub. 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